Welcome to Mark Steele Photography

COTC wins multiple Gold Awards!

Congratulations to my client Central Ohio Technical College for their recent Golds in the National Council for Marketing and Public Relations (NCNPR) District Three awards.  The awards were presented for the Viewbook and Poster categories and were recognized for excellence in both graphic design and editorial content.

Credit for these awards go to Leslie Lenzo McLaughlin, the Senior Graphic Designer for COTC, as well as Alice Hutzel-Bateson, Director of Marketing and Public Relations, for providing writing and editing.

As the photographer on these projects, I have to say it was a pleasure project.  Photographing the students, staff and campus was a real pleasure.  Working with the younger generation of students always restores my faith as they were so helpful and energetic.

Many of the images from the project can be seen under the Working and Location sections of my Portrait Portfolio.

Competition Season

Award season is quickly approaching!  Deadlines are quickly coming up and it’s time to start thinking about what it is that competitions mean to firms and their employees.  This is the opportunity to showcase the work that your firm has dedicated itself to for the past year.

The documentation of your design intent is a very important part of your competition package.  What is it that makes a winner stand out from the rest of the entries?  Great photography enhances the viewers perception of the space.  Only through properly photographing the design intent can your audience fully appreciate the thought process you’ve put into your projects.

True photography is not about documentation.  It’s about energy, space, and lighting.  Creative camera lighting and techniques showcase the textures, graphics and overall flow of a retail space.  Take a look at a few of the many award winning projects that I’ve photographed and I think you’ll see what I have in mind for your project!

I’ve added an award portfolio for you to view images from sixteen of the many award winning projects that I’ve photographed for my clients.  If you would like to see more images from any of the projects, please feel free to let me know.

I’m Excited!

I’m excited!  Every so often we all get to turn over new leafs and step beyond where we’ve been.  This new website is an extension of just that.  I feel that Fourth Floor Interactive, the designers of my new site, has put a vibrancy into my work that I’ve not felt in awhile.  Look at the same images everyday and it numbs the mind, but Jennifer has worked hard to help me realize the freshness my work has.  Thanks so much for that Jennifer, you are a talented and gifted craftsman!

A few words about what you’re looking at.  This site is intended to by updatable, vibrant and current.  Please help me keep it so.  I wish to make this site not only a showcase of my photography talents, but to show the respect I have for my clients and their work.  One thing you will notice is that each featured project is pretty much shown in its entirety.  I feel that by showing an entire site the viewer better understands my thought process and talents.  I feel that I understand how you present what you do, and I use that understanding to create images that help you sell yourself, feature your work, and create more work for yourself.  Only through successfully doing that can I in turn do it all over for you once more.

Thanks to all my clients for allowing me the opportunity to answer my calling.  You all do great work, sorry I can’t feature everything, but I will be rotating projects out on an ongoing basis, so return again.  If there’s a project you’d like to see, well, I’ll take suggestions.

After the Shoot

Just realized that I’ve not finished what happens after I shoot. Sorry about stepping out for so long, but no one complained. Anyone really read these anyways?

After the shoot. Once home, I spend just as much time on the computer working with files as I do on the shoot. In fact, it’s nearly one to one as far as time goes. If I spend eight hours on site for a shoot, I pretty much spend the same amount taking care of files and preparing them for delivery. Nothing is sacred once the camera shutter is released. On the computer I color and density balance, clean up requested unnecessary elements, clean up any dust spots as well as dirt missed on floors and walls, then prep all files for delivery and archiving.

I like to email a contact sheet of the processed images to my client to see before I Fed Ex the DVD to them. This allows them to see the images in a more true form and to make requests if necessary before I send the images. The delivery would be a CD or DVD of 8 bit high res files in the Adobe 98 color space. I also include low res jpgs due to the fact that many people in marketing have computers which may not be able to read the hi res files. These people can use the lo res images immediately in presentations if need be. If prints are requested I would then print them and deliver with the final disk.

One thing I tell all my clients is that I appreciate the opportunity to work with them. I love what I do and am always happy to make their projects look the best I can. If there are ever any questions, please don’t be afraid to contact me at any time! And I mean that.

This image of M Passion was photographed for Amerlux, a lighting company that has created some wonderful new LED lights for the retail industry.

Trimming the Fat

During this downturn one thing I’ve been focusing on is my health. I’ve managed to lose 38 lbs so far and I really feel better. One of the repercussions of it though that I never thought would happen is that I seem to be cold much more often than I used to be. I guess the body fat seems to make one a little warmer.

Now, I’m not telling this to receive pats on the back. I was thinking about it this morning and I really see an analogy to the times. As companies are trimming their fat, there seems to be a tendency to become cold. As a whole, people just don’t seem to want to reach out as much. I just find it much harder to communicate with many people during a downturn, when I feel it should be the opposite. This is when we should all stick together and let each other know how we’re doing. We need to build the foundations of our relationships.

As a photographer, I may not be able to do much for you. Lack of projects? Lack of money to document? That’s ok. Believe me, I’ve cut my spending back as well. The folks at the Apple Store don’t even know who I am anymore. It doesn’t mean that we shouldn’t stay in touch with each other and allow each other the opportunity to help where we can.

I guess this entry is not about retail photography. It’s about our relationships. They are so much more important. Take care of yourself, but let me know how you are doing. I do want to hear about it.

I’m off to Florida for a week long vacation. The sun will feel great. And when I get back-well, let’s chat.

Retail Photography

Retail photography is more than retail architecture. It should be more about how the design intent of a space is handled. Working at Fitch for twelve years beside designers gave me an insight that I feel many photographers do not have.

I have learned what it is they see when planning spaces for consumers.  Many times, due to things beyond their control, sites are not completed the way they intended when they were sitting at their desks drawing away problems and visualizing grandeur. I’ve walked through many sites with designers listening to the “designer bitch”. My job was to circumvent that and produce images that were representative of what it was they had in mind while they were sitting at the drawing board.

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Trying a little harder this time…

I plan on working with this a little harder than in the past. Please look here a little more frequently than every six months and I promise to do what I can for you. I’ve been working pretty hard on marketing and am planning a New York City trip on March 31-April 1st 2009.

If you work in a firm that designs retail interiors within the New York City greater, please call me, I would love to get together with you.

Look Fab Moments in Contract Lighting Magazine

Upshot, a Chicago based marketing firm hired me mid summer to photograph their project for Proctor and Gamble Canada. The results have won numerous awards for Upshot and since resulted in a cover story in the Nov/Dec 08 issue of Contract Lighting Magazine. PDF here: http://www.contractlighting.net/mag.cfm

How I Work: During the Shoot (Part 2)

I do have many techniques that I use on the shoot as well as in post production. I pre-visualize each shot so if I happen to tell you that it will be okay when you get the final, please trust me. Things like shadow and highlight detail, contrast, color balance and the like are best left for my workstation at the office. I never trust a laptop screen, especially when I have no control over the lighting in which it is viewed. If you think it looks good on the laptop screen, trust me, it will look great on a calibrated monitor.

The best way to get great images is to make sure we have a good crew. An art director, stylist and a general crew work best with a larger shoot. Small shoots call for art direction only. The main thing with many shoots is having a crew that helps to move merchandise and product back to their original place once we finish with a shot. This allows us to move on and keep schedule. Many times it’s hard to keep track of where merchandise comes from as we are moving items around to fill out racks and shelves. While we do try hard to return everything properly, I can say that after working all night throughout the store, it can become difficult to find the proper place for everything. We try the best we can. Once finished at the site, we pack up, clean up, say our good-byes and head out of Dodge.

How I Work: During the Shoot (Part 1)

It becomes very hard to analyze what I do on a shoot. After so many years photography becomes so intuitive that I seem to just roll with it, and the next thing you know, the shoot is over. I won’t go into detail about techniques, lighting and the like-mainly sticking with procedure here.

First off, when working at night, once I start working I usually don’t stop. I would rather get the job done and try to get some sleep than to take a break sitting on a hard floor. Besides, I can’t rest knowing that there is more to do. The most important things as you might guess would be camera angle, merchandising and lighting. We work as a team with the art director, merchandising, and store crew (if there are any) to set each shot to its full potential within the given time parameters. I like to start at the front of the set and move back as foreground is most important. Many times, little things in the background can be taken care of with a little cloning in Photoshop later if it means we can maintain a schedule.

I like to get as close as I can to a final image on set as possible. As I do final work on each image back in the studio, I believe the place to correct each shot is while shooting it. If I know that I have to do any work in post later, I will shoot for the optimum files to make that as easy as possible.

While shooting, I bring up the image on my laptop to view for any possible problems. I check focus, lighting and merchandising and will discuss if there are any ways to make the image better. Once again, we have to be aware of time constraints and change plans accordingly. I have the ability to work fairly fast on a shoot. Much of what I do becomes intuitive so while a new client may think I’m just placing lights at random, there is a reason for my placing everything where it is. If there are any concerns about an angle, I might shoot the image two ways to speed things along, and allow for a later decision. Like I said, I like to keep it moving…